Lucas Arens (Luke) is a Nashville based producer, songwriter, mixer, engineer and multi-instrumentalist originally from St. Louis, Missouri. He is published jointly by Concord Music Publishing and Tony Esterly (Pray For My Haters Music).
He has had recent cuts with Devon Again, Discolines, Grayscale, Ray Volpe, Sarah Reeves, Diamond Pistols, Justice Skolnik, Vlad Holiday, Addison Grace, Brye, Tia Gostelow, The Foxies, Fancy Hagood, Jung Youth, Easha, emlyn, Charli Adams, and Zolita. His recent sessions include Max Frost, Party Favor, Rufiohooks, Gavin Haley, Tony Esterly, Soaky Siren, NEFFEX, Real Friends, Cassadee Pope, Rozes, Mod Sun, Spencer Ludwig, Zachary Knowles, Justus Bennetts, 7715, Carobae, Alt Bloom, Ruelle, Sam Tinnesz, New Politics, Malibu Babie, Ellrod, Paige Blue, The Brummies and others. As an Engineer & Instrumentalist, Lucas has worked with artists including JoJo, Dropkick Murphys, Sebastian Bach (of Skid Row), Chingy and Yo Gotti, among others.
His work has also been heard in commercials and advertisements for brands such as Allstate, Molson, Google, Apple, Adobe, Whiteclaw, Meta, Amazon, Walmart, Target, Twitter, Maybelline, Tuft + Needle, & Sirius XM; film trailers including Disney’s Raya & The Last Dragon and National Geographic's Welcome To Earth; numerous TV shows on Apple TV+, ABC, Hallmark, MTV, NBC, CBS, The CW, FOX, ESPN, Netflix, Disney, Hulu, etc. Lucas has additionally produced content for the St. Louis Blues (NHL) during the regular season and playoffs, including their 2019 run to the Stanley Cup championship.
He also has a few artist projects of his own that feature his production, songwriting, and general artistry. Lou Kerins is a diverse landscape of electronic/dance/pop while Oshins features a darker, moodier side.
While chief-engineer/producer at Shock City Studios in St. Louis, he worked with NBC’s The Voice and MTV’s Made, as well as nonprofit organizations like Kids Rock Cancer, The National Blues Museum, Stray Rescue of St. Louis, and Saint Louis University and SLU Hospital.
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